Carolina Baldomá lives and works immersively in the landscape of the Argentine Pampas. Her artistic practice explores the relationship between humans and nature through the concepts of coexistence and synchronicity.
Through 19th-century photographic techniques such as cyanotype, anthotype, and chlorophyll prints, she develops an experimental exploration of the landscape, in which nature becomes both object and subject of the work. In this process, matter, time, and territory intertwine in a poetic dialogue, giving rise to a co-creation with the natural environment. 
Her investigation also encompasses the natural cycles and female life cycles, approaching their metamorphoses from a sensitive and symbolic perspective.
She is currently completing her master’s thesis in Contemporary Art Curatorship, focusing on pioneering 19th-century women photographers whose engagement with nature and botany led to fundamental contributions to photography, science, and art.
In her contemporary practice, the artist reframes the historical dialogue between art, science, and nature, pursuing coexistence and synchronization with the environment.
Her work has been exhibited in institutions and galleries in Argentina, including the Centro Cultural Rojas, Fundación Cazadores, and Museo de Bellas Artes MUBAL. Internationally, her work has been shown at the Griffin Museum of Photography (Massachusetts, USA), The Photographer’s Eye Collective (California, USA), Soho Photo Gallery (New York, USA), and PhotoPlace Gallery (Vermont, USA). She has also participated in fairs such as Photo London and Pinta BAPhoto.
In 2025, she received a Jury’s Special Mention at the 112th National Visual Arts Salon (Palais de Glace, Buenos Aires, Argentina). She was a finalist for the Fresh Photo Award 2025, organised by Klompching Gallery (New York, USA), and has also received distinctions from LensCulture (USA), Femgrafía (Mexico), and Exposure Photofestival (Canada), among other international recognitions.